"There is nothing either good or bad, but thinking makes it so"
The enduring image of Robert Icke's Hamlet is family - the repeated motif of group of three cleaving together haunts the production as much as Hamlet's father himself. From the instant and intense bond established between Polonius, Ophelia and Laertes, Icke makes striking emotional sense of the respective grief and ferocity of the latter two, powerfully played by Jessica Brown Findlay and Luke Thompson against Peter Wight's twinkling charm as their father.
And Icke also gives the tragic visual of Andrew Scott's Hamlet trying to rebuild his original family unit, joining hands with his mother and the ghost of his father in the midst of the closet scene, willing Juliet Stevenson's Gertrude to see what he sees, to put things back the way they used to be. And in a stunning montage for the final scene, these trios reform, emphasising the innate happiness of one and the deep tragedy of the other. It is deeply, deeply felt.