As a director who has put live pigs on the stage (in last year’s
I’d Rather Goya Robbed Me Of My Sleep Than Some Other Arsehole), a certain degree of expectation now comes from a Jude Christian production but I don’t think anyone could have expected the brilliantly punishing lengths to which she pushes
Lela & Co. Royal Court debutant Cordelia Lynn’s play is already a masterly piece of theatrical writing – essentially a monologue but one that is interrupted and challenged by other voices, questioning the veracity of what is being told.