Rubbish sees Martin Freeman and James Lance reprise characters from an earlier short
film Call Register, best mates Kevin and Julian. Once again tussling over a
girl, in this case Anna Friel’s new neighbour Isobel, this time the scenario is
around recycling in the flats where they live. Ed Roe’s film neatly punctures
the hypocrisy that many of us carry about green issues, the lip service we pay
and in this example, how that can rebound on us. Lance carries on his laidback
swagger and Freeman is brilliant once again as the constantly over-compensating
Kevin, aware he’s about to lose another girl to his handsome friend.
Elephant Palm Tree
Another film from Kara Miller and another two-hander that this time charts the quietly painful collapse of a marriage. No external factors are involved, it’s just a woman realising that the relationship to which she has devoted her life is giving her nothing back and asking for a divorce. But his (unspecified) high-flying job has kept her a very plush way of life and as they do battle over what she would walk away with, it becomes clear that whereas she’s ready to leave her man, her resolve may not be strong enough to divorce herself from this lifestyle. George Harris redeems himself a little for Frankenstein and Doña Croll is subtly affecting as the torn Martha, the difficulties of her life and decisions etched upon her face.
A rather fascinating project in which the medium of short film is stretched to encompass the world of video games, all on the most meagre of budgets. It’s an experiment for sure, but worth a look.
I Am Bob
Donald Rice’s I am Bob is a rather amusing if slightly overlong film that plays like a homespun take on Being John Malkovich but with Bob Geldof at the heart of it. A mix-up with his chauffeur on a toilet break during a long ride up to a gig in Glasgow leaves him stranded in an isolated Lancashire pub without cash, cards or mobile. But far from being abandoned, it is hosting the 14th Long Marston Lookalike Convention and so he gets swept up in the baffling world of celebrity impersonations where David Bamber has already entered as Bob Geldof and the two have to do battle to be the most convincing Bob. It’s silly but fun and even if it stretches a little too languorously, it is always good-natured.
Labels: Andrew Koji, Anna Friel, David Bamber, Doña Croll, Film, George Harris, James Lance, Martin Freeman, Maxine Peake, Richard Norris, Struan Rodger, Trevor Cooper