"Raise your hopeful voice, you have a choice"
Unusually for a West End musical, Once gently pulses rather than powerhouses
its way into the affections, beating very much to its own unique rhythm with a
sublimely sensitive story of the power of music and the pain of untimely love.
From the working bar on stage that welcomes the audience into the auditorium of
the Phoenix with a makeshift ceilidh to the presence of quality names like Enda
Walsh and John Tiffany, it is immediately clear that this is no ordinary
film-to-stage transfer.
Augmented and adapted by Walsh, the book covers the brief but intense journey
of a guy and a girl, named Guy and Girl, who connect strongly but find that
what they can sing to each other, they cannot say once the music has stopped.
He’s a busking vacuum cleaner repairman missing his girlfriend in New York,
she’s an unhappily married Czech mother searching for purpose and when she
spots his potential, starts up a project to get him to record a demo but their
feelings soon threaten to pull them onto the cusp of new possibility.
Declan Bennett and Zrinka Cvitešić exude the kind of chemistry
most couples would dream of as the central pair – his taciturn intensity
well-suited to Guy’s brooding demeanour and her headlong energy adorable yet
dangerously reckless as Girl’s passion leaves her torn. A late scene of
unspoken emotion is just beautiful, almost unbearably sad as one urges them to
throw caution to the wind, cast their all-too-recognisable awkwardness to one
side yet their romance remains as it always has, an anti-romance. The
bittersweet tone is frequently tempered by a Celtic wit though, most often in
the bar scenes and most notably in a cracking response to Guy’s declaration
that he’s about to sing to one of his own songs, in a show that no only feels
but looks and sounds just right.
The burnished mirror of Bob Crowley’s semi-circular pub set both adds a depth
to the design but also an extra dimension to see additional details of the
onstage action that might otherwise be hidden; Steven Hoggett’s movement has a
magical, almost dream-like quality that characterises so much of the feeling in
this world; and the actor-musicians that populate the stage with their
supporting characters demonstrate huge skill on a wide range of instruments –
mandolin, cello, cajon, banjo, uke, violin, bodhrán and
more beside are used to bring Glen Hansard and
Markéta Irglová’s score to sonorous life.
The music fits more into the Irish troubadouring tradition of people like David
Gray and Damien Rice and though it has moments where it is perilously close to
becoming bland, there are many more where it shimmers gorgeously. The
Oscar-winning Falling Slowly sets the template perfectly, a heartfelt duet that
builds and builds as more and more musicians chip in from the side to give a
beautifully layered musical treat. Bennett’s Guy rips through Leave with
passionate verve and Cvitešić’s Girl imbues The Hill with a lifetime of longing
but it is the ensemble numbers that genuinely touch the soul – a hushed a
capella rendition of Gold is just spine-tingling and the final reprise of
Falling Slowly is a enchanting demonstration of the power and the beauty in the
communal.
The
charms of Once aren’t typical but they certainly are no less for this - what
may seem delicate has the strength of filigree steel, what may seem twee has
the ring of genuine truthfulness. Its uncluttered simplicity belies the complexity
of human emotion which this musical brings to life like no other show. Highly
recommended.
Running time: 2 hours 20 minutes (with interval)
Programme: £5
Booking until 30th November
Labels: Aidan Kelly, Declan Bennett, Flora Spencer-Longhurst, Gabriel Vick, Gareth O'Connor, Jez Unwin, Jos Slovick, Michael O'Connor, Miria Parvin, Ryan Fletcher, Valda Aviks, Zrinka Cvitešić