“No dream is just a dream”
Arthur Schnitzler’s Dream Story is perhaps best known as the novella that was filmed by Stanley Kubrick as Eyes Wide Shut and allegedly sounded the death knell for the marriage of Tom Cruise and Nicole Kidman. Anna Ledwich has adapted it for the Gate Theatre, also serving as director, turning the story into a “part odyssey, part freak out, part nightmare, part psychological thriller” as we delve deep into the sexual imagination of early 20th century Vienna.
Well-to-do doctor Fridolin and his wife Albertine return from a party in high spirits and start to confess fantasies to one another, of imagined affairs with other people. But something is awry, he rejects her sexual advances and as he is summoned to a house call, he enters into a long dark night following his impulses as he is propositioned by patients’ daughters, visits a prostitute, attends a masked orgy, all populated by a set of characters whose faces seem to recur again and again, suggesting that the dividing line between real life and imagination has been significantly blurred.