Sunday, 14 October 2007

Review: Avenue Q, Noël Coward

I suppose I’m getting close to groupie status now, but what can I say, I really love this show! Again, not a huge amount to report in how the show remains a completely guilt-free feel-good pleasure and still as funny as ever, look in the archive for more in-depth writing. It was, however, pleasing to see that whilst Clare Foster was covering for Julie Atherton, I really didn’t mind too much and ended up being quite impressed by her performance. The debutants in the cast didn’t fare quite as well for me.



Making her professional stage debut in the role of Christmas Eve, Jennifer Tanarez is having something of a baptism of fire and she does look a little overwhelmed. Her nerves were far too apparent, resulting in her missing too many comedic notes but as her accent is completely garbled and unfocused, she fails to capture the lyrical dexterity and emotion needed to really deliver The More You Ruv Someone effectively and that song is the key to Christmas Eve.



Thursday, 11 October 2007

Review: Awake and Sing!, Almeida

Directed by Michael Attenborough who is clearly looking to throw the light on lesser known playwrights here in the UK, Clifford Odets is regarded as a modern great and as important as Eugene O’Neill in the development of modern drama yet remains relatively unknown here.

Set in the Depression era and following the fortunes of a Jewish family living in the Bronx, it centres around the huge matriarchal figure of Bessie, played by no other than Rizzo herself, Stockard Channing. She keeps her family close around her but they are a motley crew: her husband is a depressed failure, her father is a revolutionary dreamer, her son is disillusioned with life and her daughter has got herself knocked up. In economically incredibly difficult times, Bessie has to make tough decisions to secure the future she desires for everyone, even if it means over-riding their own wishes and desires.