Wednesday, 24 September 2003

Review: The Taming of the Shrew, Shakespeare’s Globe

In the dying heat of a lovely Indian summer, I finished my set of Globe plays by watching the all-female version of The Taming of the Shrew, complementing the all-male shows I had seen earlier in the month. It is a funny choice for this treatment I think as it is such a questionable play in how it treats its heroine, but I suspect this was part of the challenge for the troupe.



The way they get round it is to play up the power struggle side of things and clearly demonstrating that Kate’s submission is in fact much more knowing, a way to keep Petruchio onboard in unknowing bliss, rather than a genuine capitulation. This allows Kathryn Hunter to play with Shakespeare’s text beautifully, pulling out new meanings as Janet McTeer’s blokey arrogance is tolerated with grim smiles.


Thursday, 18 September 2003

Review: Edward II, Shakespeare’s Globe

So my second trip to the Globe took me to Edward II, a play by Christopher Marlowe which was another all-male production and actually carried over almost the entire cast from Richard II which was a nice touch I hadn’t realised until I got there. I like the idea of a company doing more than one play as it means that the bonds within the group have time to really develop and become something more special than if just for a short run.

Covering most of the key events of Edward II’s reign, the play hooks around the relationship between the King and his favourite, Piers Gaveston who was showered with love, gifts, lands and titles by his royal lover. Though interestingly, the shock value from the play would originally have come from the social/class barriers that were breached rather than the sexual ones, as the barons and lords of the court would have been outraged at the fact that Gaveston was of lowly birth rather than the fact that he was a man. For at the heart of this play is a debate about politics and the lengths to which the establishment will protect what they see as theirs by right.

Monday, 15 September 2003

Review: Richard II, Shakespeare’s Globe

In a season entitled Regime Change, the all-male company are tackling Richard II, Shakespeare’s fast and loose take on the life of headstrong Richard II, this historical figure whose autocratic rule and unconventional approach to matters of state led to his cousin Bolingbroke, the future Henry IV, deposing him with the help of a large faction of his family: this schism forming the basis for the long-running Wars of the Roses. On a personal note, this was my first trip to the Globe and standing in the Yard was the only way to get in so I took a packed lunch and wore some comfortable shoes!

Mark Rylance takes on the title role and it is very much his show and this came across as both a good thing and something of a negative too. He dominates proceedings as this melancholy monarch who is lacking the political nous to deal with the challenges in his kingdom, thereby minimising the role of Bolingbroke somewhat rather than presenting them as two sides of the same coin: for indeed both of these men come to learn the same lessons, about the loneliness of the realities of being king.