"Sometimes a thousand twangling instruments"
The RSC may have Simon Russell Beale and cutting-edge digital technology but the Southwark Playhouse has real heart when it comes to The Tempest. I missed the press night, which had the happy consequence of meaning that I actually got to watch this Shakespeare for Schools production with its intended audience, hordes of schoolchildren of mixed ages who, by the show's end, were thoroughly rapt (though perhaps not quite as tear-stained as I).
Streamlined into 90 interval-less minutes and infused with a real sense of theatrical ingenuity, Amy Draper's production does a fantastic job of reinterpreting the Bard without dumbing him down. Anchored by a deeply compassionate Prospero from Sarah Malin, this Tempest is rooted in fallibility and forgiveness, the clear-sighted storytelling never letting us forget that it is only in the recognition of the former that we can expect the latter.